I'm Still Here

I’m Still Here; Felt like this plodded along depicting moments that would’ve been better as a documentary or literature than a two hour plus attempt to convey the horrors of what the family/country went through. For me, dramatizations tend to minimize emotional impact, even if this well acted; C
 

The Rise of the Red Hot Chili Peppers: Our Brother, Hillel

The Rise of the Red Hot Chili Peppers: Our Brother, Hillel; The core element of what started & continues to drive the band shines through as various artists speak their absolute love for Hillel, all these years since his passing. The mix of testament and historic documents blends beautifully; A-

Predator: Badlands

Predator: Badlands; If a franchise lives long enough, the villain will eventually become the hero. Latest instalment asks us to cheer for the underdog runt of Predators, and keeps us engaged with zany humour and some pretty gruesome kills and dismemberment. Another triumph for an aging franchise; B

Prey

Prey; Nice change up to the Predator franchise mythos, supposing what the trophy hunting alien species might have run up against the equally skillful hunters from Indigenous nations. Centered around a young Native woman who’s breaking moulds amongst her people, story unfolds captivatingly well; B+

The Revenant

The Revenant; Iñárritu frames every scene masterfully so that it becomes permanently etched into our psyche. DiCaprio & Hardy display Oscar worthy devotion to enact efforts that bleed though the screen what must have been epic trials behind the scenes. Haunting, stark and realistic filmmaking; A
 

Snatch

Snatch; Like a live action Looney Tunes, the antics get sillier & crazier as characters fumble their way through messed up heists & failed fixed fights. Cast is down to clown, giving stars plenty to play around with. Soundtrack rocks and story beats along fabulously. Ritchie delivers his vision; A-

Nirvanna the Band the Show the Movie

Nirvanna the Band the Show the Movie; Parts Wayne’s World, Ferris Bueller, & the obvious Back to the Future, w/less humour than those three. Wears its influences openly & might wear thin for those who aren’t along for low budget hijinx, street level Canadian filmmaking. Peers will find joy in it; B-
 

Secret Mall Apartment

Secret Mall Apartment; Once an audience gets past potential scenarios its title may cook up, the reality remains fascinating. The footage seems too good to be true, save for the fact that it’s an artist’s project. The sum of its parts may not pay off, but like art, it’s the journey that counts; B
 

Her

Her; Poses interesting questions about modern relationships, dealing w/divorce & break ups, & how initial attraction morphs into something different as time together passes. All this portrayed by great acting, and a rather myopic view of artificial technology, makes for a thought provoking film; B

Hoppers

Hoppers; Story, message and entertainment blend in the same Pixar manner we’ve cherished for three decades now. The 30th film comes in just below the studio’s legacy best, but right on par with some of its greatest hits. Fun and silly while still grounded in emotional reality, it’s pure enjoyment; A
 

Black Bag

Black Bag; The economy of Soderbergh strikes gold once again. A taut thriller, stage play style experience, expertly acted by a fine cast. The spy world is given a domestic slant to great effect and high tension. Sold as having more action, it’s really the mind games bringing the excitement; A-
 

GOAT

GOAT; A zillion sports story tropes delivered w/fresh paint, tunes & animal types. The chaotic animation will make the same old story beats go down easier, w/fun in jokes, sight gags and solid voice acting. Made for the small balls, but with enough to enjoy for the adults, an easy crowd pleaser; B+

Cinema Paradiso

Cinema Paradiso; A love letter to the communal town square that’s at the heart of small town film theatres. Told through loving enduring relationships btwn generations & the journey of their lifetimes. When clips of a life tell a story of love and what forms our lives, it is heartrending joyous; A-

Marty Supreme

Marty Supreme; A wild romp filled w/erratic unsympathetic characters, spearheaded by Chalamet’s full throttle performance in the title role. Bolstered by a great supporting cast, save for Paltrow, continuing her knack of sucking in great movies. Shocking, unapologetic moments abound & entertain; A-

Materialists

Materialists; Works best as a dark comedy when it’s speaking deadpan about sociopathic behaviour in an American Psycho way. But when it comes to the rom com angle, Johnson’s woodenness doesn’t convey anything appealing to either leading man. Still, Celine Song knows how to direct dialogue; B

The Mission

The Mission; Spectacular filming of the brutal dichotomy of colonial powers valuing South American indigenous peoples and territory for their subjugation to religion and exploitation of labour. The efforts to depict the scope and scale are unfortunately not given to the writing of the script; B+
 

TRON: Ares

TRON: Ares; Maintains cool aesthetic lighting and killer soundtrack that makes the franchise appealing in the first place. New plot angles are interesting enough to fill a full two hours and Lee is a great leading actor to root for. Unfortunate casting of Leto detracts but it’s still watchable; B-
 

Play It Again, Sam

Play It Again, Sam; A tale of two reactions. One, an appreciation for the clever turn of phrase inherent in the comedic writing. The other, a disgust for overblown pathetic attempts at physical comedy by the repulsive Allen, along with some jokes that have not aged well, thankfully. Skippable; D+