Showing posts with label Matt Damon. Show all posts
Showing posts with label Matt Damon. Show all posts

7.23.2026

The Odyssey

The Odyssey; Bold, exceptional filmmaking once again from a renowned master. The storytelling is brutally & somewhat grotesquely brought to life, with some modern sensibility and interpretation. Not a Nolan favourite for me, but a truly accomplished film worthy of the O.G. epic it’s sourced from; A

7.18.2024

Drive-Away Dolls

Drive-Away Dolls; Salaciously subversive & bitingly satirical in a way only a Coen could craft. Cameos are fun but its leading ladies’ spirited performances that add heart amongst hilarity. Comic buffoonery, surprise gaffs, all in a rapturous road movie buddy film that plays & smashes tropes; B+

7.28.2023

Oppenheimer

Oppenheimer; What happens when you gather the greatest talents in the industry & they make something so technically marvellous on every level, one wonders why they chose to make this, of all things. Compelling, but like most Nolan work, more cerebral than emotionally moving; A-
 

6.16.2017

Jason Bourne

Jason Bourne; Save for the one excellent car chase scene, a rehash of jerky close ups and clichés makes this unnecessary sequel D.O.A.; C-

12.29.2015

The Martian

The Martian; Highly entertaining Apollo mission style drama. Laughs, tears, tension. Superb acting & visuals. Moviemaking at its best; A-

2.29.2012

Good Will Hunting

Good Will Hunting; This amazing screenplay is really in touch with a younger generation of movie goers without leaving traditionalists behind. There's something for everyone's tastes in this movie that combines comedy, drama, and romance in their physical, spiritual, and mental aspects. Gus Van Sant makes the writing even better by getting soul baring performances from the whole cast. He makes the emotions physically manifest themselves on the screen. He dares to shoot one emotionally revealing scene between two lovers with the actors very plain and naked, not like the heavily mood lit/make up sensualizing of romance we're used to. This lets the inner emotions, struggles really reach out and touch the audience. The multi-layered script hits personally and universally; A-